Where have I been these last few months? Writing. Cooking. Job-hunting (again). Updating my food blog. And watching a lot of new TV and movies.
I have not and probably will not read anything about Jurassic World I like more than this post by Michelle Vider, “Drink up that toxic masculinity”:
So I’m walking away from Jurassic World having enjoyed it an enormous amount, both for the spectacle it provided and for its view of toxic masculinity. It isn’t enough to consume media and check off the Y/N box next to IS THIS FEMINIST. That’s not how it works. Feminism is a lens through which we can mark the continued growth and evolution of gender roles, and that learning process should never be as easy as a Yes or No question.
That’s a pretty fair summary of my own response to this movie. I had a blast. Was it a good movie? Nah, I don’t think so. Can I recommend it? Probably only if you, like me, went to see Jurassic Park twelve times in the second-run theater when you were a kid. Yet I woke up thinking about the film for several days after, and there are very nearly enough Things I Love about this movie to make a list!
- So much homage to Jurassic Park. Jurassic World is basically a Jurassic Park fanvid. Some of the shots are framed exactly the same. JW characters revisit the location of a significant JP scene and it’s all lovingly recreated and covered with a layer of bones and dirt. A character wears a vintage JP tee.
- The movie’s twin villains are Big Corporate Entity and the Greedy General Public who forces Corporate Entity to churn out bigger and scarier attractions. This conflict is delivered without either irony or false earnestness, which is remarkable because of course churning out bigger and scarier attractions than JP is exactly what the movie itself does.
- The level of depth, dialogue, and character development was pretty much exactly what I expected when I saw the following bit in the trailer:
- i.e. not very deep, not very developed. And yet! I was pleasantly surprised by this film more than once. Mostly by which characters were allowed to survive.
- My companions and I laughed so hard throughout the whole movie that a man across the theater yelled at us. That’s how much fun we were having.
I would never in a million years have gone to see Mad Max: Fury Road if not for Tumblr. I’m not familiar with the series, I’m not into vehicle-based action movies, and if you told me that the series centers around a lone wolf type who wanders around the desert, I would have politely declined. But instead I heard that the film centered around women. Not just one token female character, but lots of women. “Dodecabechdel test,” actually, was the line that hooked me. I couldn’t think of another film that featured twelve women all talking together. And talk about a movie that I think about for days after viewing it: I saw MM:FR in theaters nearly a month ago and not a day goes by that I don’t reflect on it at least a little.
There’s so much good writing about this movie online and, to be honest, some of my favorites are just the one-off posts on Tumblr that zero in on tiny character moment like Nux not knowing what a tree is or the implications of Max’s back tattoo. But here are a few longer pieces I liked:
- From The Daily Dot: “Fury Road passes the Bechdel Test, of course; it also passes the Mako Mori Test, on at least seven different counts. Mad Max: Fury Road leaves those mediocre measurements of gender representation—which the vast majority of Hollywood films never even attempt to pass—so far behind that it seems almost silly even to use them as yardsticks in the wake of the strength of Fury Road‘s narrative. . . Fury Road is every inch the high-testosterone, manly action movie of your dreams. And even when they show weakness, its female characters are still fully in charge of their own destinies.”
- Tumblr user and fetal amputee Laura wrote about how incredible she felt seeing Imperator Furiosa kick ass onscreen with one hand. Then she created fictionability.tumblr.com to write about it some more. Then she was interviewed by Nerdist.
- In addition to having beautiful composition and dramatic use of color in each shot, this movie is remarkable in its use of center-framed shots to focus your eye on the action in the center of the screen. Tumblr user bonehandledknife digs into this a little further, comparing Fury Road to The Avengers: Age of Ultron and reframing shots from MM:FR to show how they would have looked if they had been framed in more traditional golden ratios. Conclusion: center-framing was crucial to portraying the female characters as people rather than decorations.
- More Tumblr: here’s how the narrative would have gone if Mad Max got the conventional Movie Hero treatment.
I did watch the new season of Orange is the New Black. I probably won’t make a separate post–most of the Things I Love about the show still stand–but I did just want to say that I really enjoyed the season. Seasons 1 and 2 had unmistakable villains and high-stakes conflict; Season 3 stands out because those elements are much less clearly defined. On the other hand, S3 focused more on developing and deepening relationships–and showed that the ability to grow and connect is the defining trait of which characters become heroes or villains.
- Taystee, Poussey, Suzanne, Black Cindy, and Janae have to mend their relationships after Season 2’s big villain, Vee, tore them apart and left them wounded. Their process of making peace with themselves and each other is mostly private and internal, which is not something we’ve gotten to see much of in a show with a billion characters, most of whom don’t go in for long earnest talks.
Taystee’s been a favorite of mine for a while, and her realization that she is effectively the new mother of the group was hilarious, touching, and wrenching all at the same time.
- Big Boo and Pennsatucky have both been villains of a sort in earlier seasons, but it’s impossible not to root for them in S3 because we watch them grow and confront some of their fears. I’ve always felt that Pennsatucky was a character not well understood by the show–one of the few in S1 who didn’t get a lot of depth or sympathy from the plot–but she certainly got her character development in 3.
- On the other hand, Piper seems not to have learned a thing. Like the New Corporate Overlords who take over management of Litchfield, her decisions generate a lot of pain and conflict and serve no one but herself. Arguably, she and they are the two Big Bads this season.
- Season 1 dropped the viewers right in the middle of an insular community with tensions and hierarchies firmly in place; we see through Piper’s eyes as she learns to navigate them. Season 2 shakes up those dynamics by introducing a rival queen. But in Season 3, we see a lot of the characters we’ve come to know either on their way up or down. The previous leaders have left, died, or stepped down; we’re seeing their followers attempt to step up and lead in their place. Even the subplot backstories for Chang and Norma, who are both typically treated as ciphers or jokes, have narratives about choosing to lead or follow. It may feel like a radical shift to see origin stories three seasons in, but as the series continues I think we’ll get a sense of the circular pattern of such shifts.
I am also watching Jonathan Strange & Mr. Norrell, and I have so many feelings about it, but since most of those feelings are “!!!!!!” I think I’ll have to wait until the series ends before I can gather my thoughts. But if you want to talk about it with me in comments, have at it.